Friday, 7 May 2010
Wednesday, 5 May 2010
Looking back at your preliminary task, what do you feel you have learnt in the progression from it to be product?
What have you learnt about technologies from the process of constructing this product?


How did you attract/ adress your audience?

We also ciculated our Thriller to our friends, family, teachers and published our video on Youtube. Applying our video on Youtube made it available to everyone aroud the world, this allows us to have responses to it and gives us ideas for next time. whilst putting it on Youtube we asked the viewers to outline their review.
Who would be the audience of your media product?

What kind of media institution might distrubute your media product and why?
How dose your media product represent particular social groups?

Our thriller shows both gender, such as we had a boy for the lost part then we had two women, me and Kayleigh as the mum and the baby sitter. we don't have no sterotypes in our thriller. Our younge people are shown in a positive and negative way, such as his postive when his first in the scene but then turns to be negative. The age for my thriller is used to be a younge boy, and an older lady well serposed to be as the babysitter. We used a house that is a semi-detached house, it is also working class.
What ways dose your media product use, develop or challenge forms conventions of real Media products?
My Thriller falls under he conventions of a Thriller, because it contains many aspects as a Thriller such as an aura danger, unexplained moments, a boy in fear and a untold mystery that need solving. My Thriller's theme is suspense and unknown. It is told through the eyes of the main character Kayleigh who is baby sitter, who is also the Thrillers protagonist, leading us through the story's lines. We have no human antagonist within the Thriller, but we do know someone has kidnapped the boy. kidnapping is a suitable start for a Thriller because it offers different types plots to allow the story line to flow further. Questions that will hit the audience whilst watching are 'Who is the kidnapper?''Did the boy leave on his own?''Did the boy really exist?'. The last question brings the protagonist mental state into doubt and is further put into question in the bedroom scene. In the Thriller we see the room, however we don't see the boy in sight, but we know he was in his room as his mum (me) sent him into his room well upstairs. The content suspense and plot twists make our Thriller true to its genre. Using this gives our thriller the original of most thrillers. Films that have influenced us is 'When a stranger calls' and 'Flight plan'. we used some of the clips from When a stranger calls as it fitted in well with our thriller.
Discussioin of appropriate technical competencies
Wednesday, 31 March 2010
Efficient use of actors, settings, props, sounds
Friday, 26 March 2010
Tuesday, 23 March 2010
Friday, 12 March 2010
Wednesday, 10 March 2010

Hitchcock was born on 13 August 1899 in Leytonstone, London,He was named after his father's brother, Alfred. His family was mostly Roman Catholic, with his mother and paternal grandmother being of Irish extraction. Hitchcock was sent to the Jesuit Classic school St Lgnatius' College in Sramford Hill, London. He often described his childhood as being very lonely and sheltered, a situation compounded by his obesity.Hitchcock said he was sent by his father on numerous occasions to the local police station with a note asking the officer to lock him away for ten minutes as punishment for behaving badly. This idea of being harshly treated or wrongfully accused is frequently reflected in Hitchcock's films.
Hitchcock's mother would often make him address her while standing at the foot of her bed, especially if he behaved badly, forcing him to stand there for hours. These experiences would later be used for the portrayal of the character of Norman Bates in his movie Psycho.Hitchcock's father died when he was 14. In the same year, Hitchcock left St. Ignatius to study at the London County Council School of Engineering and Navigation in Poplar, London. After graduating, he became adraftsman and advertising designer with a cable company.
During this period, Hitchcock became intrigued by photography and started working in film production in London, working as a title-card designer for the London branch of what would become Paramount Pictures In 1920, he received a full-time position at Islington Studios with its American owner,Famous Players-Lasky and their British successor, Gainsborough Pictures, designing the titles for silent movies. His rise from title designer to film director took five years.
n 1929, Hitchcock began work on his tenth film Blackmail. While the film was still in production, the studio, British International Pictures (BIP), decided to make it one of the UK's first sound pictures. With the climax of the film taking place on the dome of the British Museum, Blackmail began the Hitchcock tradition of using famous landmarks as a backdrop for suspense sequences. In the PBS series The Men Who Made The Movies, Hitchcock had explained how he used early sound recording as a special element of the film, emphasizing the word "knife" in a conversation with the woman suspected of murder. During this period, Hitchcock directed segments for a BIP musical film revue Elstree Calling (1930) and directed a short film featuring twoFilm Weekly scholarship winners, An Elastic Affair (1930). Another BIP musical revue, Harmony Heaven (1929), reportedly had minor input from Hitchcock, but his name does not appear in the credits.
In 1933, Hitchcock was once again working for Michael Balcon. at Gaumont-British Picture Corporation. His first film for the company, The Man Who Knew Too Much (1934), was a success and his second, The 39 Steps (1935), is often considered one of the best films from his early period. By 1938, Hitchcock had become known for his observation, "Actors are cattle".[ He once said that he first made this remark as early as the late 1920s, in connection to stage actors who were snobbish about motion pictures

